Empire
July 12, 2025

How PumpDotFun Could Capture The Intersection Of Content, Crypto And Gaming

Blockworks co-founder Jason Yanowitz explores the evolution of digital media, analyzing how Pump.fun is positioned to merge the next wave of content—live streaming—with the native financialization that defines crypto.

The Inevitable Shift to Streaming

  • "It's all going to streaming. Streaming is like the clear next evolution of this... The model is very long live streams that have authenticity... and on the other end, it's hyper-optimized for social short clips."
  • The era of the standalone hour-long podcast is fading. The new media playbook, perfected by giants like Barstool, is a two-pronged attack: authentic, unscripted live streams for deep engagement and a barrage of short, optimized clips for social discovery. For crypto, the audience currently lives on Twitter, but Pump.fun has the potential to become a native on-chain destination for this new content model.

The Financialization Flywheel

  • "Streaming has become in almost every form a financial platform... it makes so much sense for Pump.fun is because they'll have the streams and it will be financialization alongside of it. I think that is now the expectation."
  • From watching people play slots on Twitch to poker streams, content is increasingly intertwined with finance. This is no longer a niche behavior; it’s an expectation. Pump.fun is built on this premise, but it faces a critical challenge: creating compelling content that users are addicted to, not just the "number go up" mechanics. The experience with Blockworks' "Permies"—NFTs that became hyper-financialized—serves as a cautionary tale about communities that fixate solely on price.

Trading as the New Gaming

  • "They don't treat it as investing. It's entertainment and it's a game. They all just see themselves on a leaderboard against their friends where they're like, 'Yeah, you know, I made a 30x... He's on top of me right now.'"
  • For the younger generation, engaging with platforms like Pump.fun isn't investing; it's a form of entertainment and social competition. They aren’t analyzing fundamentals but are instead playing a game, competing on a leaderboard against friends to score the biggest "x's" on their trades. This gamified, social approach to finance is a core behavioral shift that platforms like Pump.fun are perfectly positioned to capture.

Key Takeaways

  • The fusion of content, community, and finance is creating a new digital landscape. Pump.fun sits at this intersection, but its path forward requires a delicate balance.
  • The New Media Blueprint: The winning strategy is a blend of long-form, authentic live streams and hyper-optimized social clips. Platforms that natively support this will win.
  • Content, Not Just Coins: To achieve longevity, Pump.fun must evolve beyond a pure trading terminal. It needs to give users a reason to stay that isn't just watching a chart.
  • Finance Is Entertainment: For a new generation, trading is a competitive social game. The most successful platforms will be those that embrace this "leaderboard" mentality and build entertainment-first financial experiences.

For further insights and discussions, watch the full update: Link

This episode reveals how platforms like Pump.fun are pioneering a new frontier where content, crypto, and gaming converge, forcing a re-evaluation of user engagement and financialization in media.

The Future of Media: A Shift to Live Streaming

  • The New Media Model: The strategy involves combining very long, authentic live streams with hyper-optimized, short social clips. Jason points to media companies like Barstool Sports and shows like TVPN as successful examples of this approach.
  • Authenticity and Reach: Live streams provide a raw, unedited authenticity that builds a strong, casual connection with the audience. Meanwhile, short clips are engineered for maximum reach and discovery on social platforms.
  • Strategic Shift for Blockworks: Jason reveals that Blockworks is actively moving its own content strategy toward this model in the second half of the year, prioritizing live streams and short-form video over traditional podcasts. This underscores the industry-wide relevance of this trend.

Pump.fun's Challenge: Evolving Beyond a Trading Platform

  • The Core Problem: To become a true competitor to platforms like Twitter or Twitch, Pump.fun must integrate activities that are not solely focused on trading tokens.
  • The Financialization Trap: Jason expresses concern about content streams becoming hyper-financialized. He references a conversation with Carl, one of the creators of a stream on Pump.fun, noting the chat was dominated by users asking, "When token go up?"
  • The Content vs. Speculation Dilemma: Jason highlights the central tension for creators on such platforms: "You actually want people to be addicted to your content, not addicted to your number go up ability." This is the critical hurdle Pump.fun must overcome to achieve mainstream media status.

A Cautionary Tale: The "Permies" Experience

  • Explosive Speculation: Launched at 0.11 ETH (around $300 at the time), the Permies' value skyrocketed to $30,000 each, creating a speculative frenzy completely disconnected from the utility of a $1,000 conference ticket.
  • The Burden of Price: Jason describes the experience as "not an enjoyable experience," as it resulted in constant pressure from holders demanding to know why the token's price wasn't increasing.
  • Actionable Insight for Builders: This story serves as a stark warning for any project tokenizing its community. While financialization can drive initial hype, it can also create a community of speculators rather than genuine fans, shifting the focus from the product to the price.

The Inevitable Merger of Content and Finance

  • The Twitch Model: Thousands of viewers watch streamers play online slots, poker, and other games, often participating alongside them. This demonstrates that a huge audience already exists for content that is explicitly and unapologetically financial.
  • A Generational Expectation: Rob argues that for a younger demographic, the expectation of a financial layer is now built into their content consumption. The separation between entertainment and financial activity is dissolving.
  • Strategic Implication: This perspective suggests that Pump.fun's financial nature is its greatest strength, not a weakness. By leaning into the merger of content and speculation, it is tapping directly into a powerful, emerging cultural trend.

A New Paradigm: Crypto as Entertainment and Social Gaming

  • Investing vs. Entertainment: Younger users do not treat meme coin trading as a serious investment. For them, it is a form of entertainment and a competitive social game.
  • The Social Leaderboard: The goal is not necessarily long-term wealth creation but outperforming friends on a social leaderboard. Jason notes they track performance like a game, saying, "I made a 30x... This guy made a 40x. He's on top of me right now."
  • Streaming and Loneliness: Jason connects the boom in streaming to a deeper social need, observing that people use it as a "second screen" to combat loneliness and have a constant sense of companionship. This emotional driver is a powerful force behind the growth of live, interactive platforms.

Conclusion

This discussion highlights that the fusion of financial speculation and entertainment is not a niche trend but a defining characteristic of the next generation of digital platforms. For investors and researchers, the key is to analyze how projects leverage this "gamified finance" model to build deeply engaged, native communities.

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